However, "fuzzy" verticals or horizontals can be used in the background sub-frame and
are organically included in the overall graphic-painting structure, creating the effect of
the presence of the third dimension.
The importance of the line in the spatial organization of the space, the author
accents: "the composition is kept by the line," and the gradation of its toning is
compared with music. This line simulates the shape, emphasizes its plasticity, gives
emotional expressiveness throughout the composition, filling its rhythm. Thought-out
contrast and dialogue of such lines, carefully placed accents, complete the picturesque
plane.
So, the line that is dominant in the organization of the tectonic structure of
paintings, deprives them of statics, creates an impression of a peculiar vibration with
the compositional background. The movement that is born within the "orderly
universe", inspires the spiritual activity of the recipient and adjusts the search for
associative equivalents. It becomes extremely difficult to comprehend the essence of
the inner message - it is at the level of the essential spiritual tactics. "Since we have
existential experience in the beginning, then we have the full right to bring our
interpretation to its completion: we can transfer the revealed content to the level of
spiritual life, the being and the existence of those who surround us. Such a level -
according to one of the influential historians and theorists of art of the twentieth century
Gals Zedlmayr - is achieved through direct aesthetic, artistic and emotional perception-
experience of an artistic work as a structural and holistic dynamic gestalt "[13, p. 113].
Figure 6.
The world of mystery. 2016. Glass, oil, 60х70 cm.
Property Shpyralo-Zapotochna
The artistic-figurative component is the limit on which the line does not allow the
artist to go beyond the scope of substantive rational knowledge of the world. The
- 977 -